(for solo tam-tam and 1-4 music boxes)
Sandman’s Castle was written for Dame Evelyn Glennie as part of her “50 for 50” project to celebrate her 50th birthday – 50 composers would compose 50 measures of music for a solo percussion instrument. For this project, I chose the tam-tam as my instrument of choice. For years I had been drawn to its sonic beauty and many expressive possibilities. As well, writing for such an instrument allowed me to explore unchartered territories and open up new directions in my creative thinking.
In order to ensure the work would be tailored to Ms. Glennie’s talents – something I always think about when composing for a virtuoso performer – I requested to have her video-record herself improvising on the tam-tam while using as many different mallets, sticks, and items she could think of. This helped open my eyes and ears to the variety of sounds she was be able to create from the instrument. It truly was mesmerizing watching her interact with the instrument, like witnessing a shaman drawing up otherworldly sounds from a primordial realm. From viewing her improvisation, I was inspired by the many techniques she used and sound colours she created. It did not take long for me to draft up a musical narrative based her natural gestures and imaginative soundscape. For me, I view this work as a mystical journey into the world of dreams, ruled by the Sandman, with Ms. Glennie serving as the listener’s guide.
Order score here.